在Botelho的<想做美国总统的女人>(2003)和这部里选了很久,最后决定选这部成名作,其实两部都很幽默,他是葡萄牙当代最好的超现实喜剧片导演. 　　Maybe the best Portuguese movie ever done, "Tráfico" is a sad, sad portrait of the modern Portugal and (if there is such a thing, since Portuguese mentality seems have not changed in 800 years), in spite of its sarcastic, even surrealistic mood, a very dark and dejected film, at least for Portuguese viewers. Very funny too (yet,with a kind of humor whose nuances risks sometimes to escape unnoticed by foreign ears), with some of the more sharp-witted sayings and situations I ever saw in cinema. The dialogue with the Portuguese culture it's ever present, making of it a movie that just can be fully understood by an autochton. Notwithstanding - don't miss this masterpiece.

在Botelho的<想做美国总统的女人>(2003)和这部里选了很久,最后决定选这部成名作,其实两部都很幽默,他是葡萄牙当代最好的超现实喜剧片导演. 　　Maybe the best Portuguese movie ever done, "Tráfico" is a sad, sad portrait of the modern Portugal and (if there is such a thing, since Portuguese mentality seems have not changed in 800 years), in spite of its sarcastic, even surrealistic mood, a very dark and dejected film, at least for Portuguese viewers. Very funny too (yet,with a kind of humor whose nuances risks sometimes to escape unnoticed by foreign ears), with some of the more sharp-witted sayings and situations I ever saw in cinema. The dialogue with the Portuguese culture it's ever present, making of it a movie that just can be fully understood by an autochton. Notwithstanding - don't miss this masterpiece.

通过讲述几代石窟艺术的保护者、研究者和传播者的故事，体现中国石窟是中华民族与世界各民族活动的舞台，是中外文化交流的重要载体。遍布中国大地的石窟遗存，不仅是中国文化的瑰宝，也是人类文明的坐标，体现了中华文明多元交融、开放包容的特质这一主题。

通过讲述几代石窟艺术的保护者、研究者和传播者的故事，体现中国石窟是中华民族与世界各民族活动的舞台，是中外文化交流的重要载体。遍布中国大地的石窟遗存，不仅是中国文化的瑰宝，也是人类文明的坐标，体现了中华文明多元交融、开放包容的特质这一主题。

巴蜀石窟，现存2850处，是中国石窟艺术第三次，也是最后一次的巅峰绝唱。本片以中国石窟中后期最精彩的篇章——巴蜀石窟为拍摄对象，从不同的视角呈现隐藏在巴山蜀水之间的丰富的石窟造像和人物故事。

巴蜀石窟，现存2850处，是中国石窟艺术第三次，也是最后一次的巅峰绝唱。本片以中国石窟中后期最精彩的篇章——巴蜀石窟为拍摄对象，从不同的视角呈现隐藏在巴山蜀水之间的丰富的石窟造像和人物故事。